Rizzle Kicks – Down with the Trumpets
Duration
|
Type of Shot
|
Mise-en-scène
|
1:30-1:33
|
MS, Steadicam
|
On beach, next to beach huts, singer in
foreground, other singer is doing some kind of deal with stranger
|
1:33-1:35
|
MS
|
In bedroom, two band members
singing/dancing
|
1:35-1:40
|
MS, POV Eye-level
|
Two singers walking away suspiciously,
stranger walking other direction
|
1:40-1:48
|
MS, POV, Eye-level, handicam
|
Singer using first-person mode of address
and singing into camera, in same location
|
1:48-1:53
|
MS
|
Stranger looking at his money, checking
if it is real, realizes it is monopoly money and proceeds to run after the
two singers. Singers blurred in background running away.
|
1:53-1:55
|
ELS
|
Stranger running after them, camera
tracking them from a distance, beach huts in background
|
1:55-1:58
|
MLS, Montage
|
Quick succession of ‘jumpy’ shots with
time compression, cutting out sections of the clip. Band members running
between beach huts and climbing up wall to escape.
|
1:58-1:59
|
MLS
|
Jumping over wall and hiding other side
of it
|
1:59-2:02
|
MLS, Montage
|
Similar shots to the ones seen at
1:55-1:58, jumpy editing, this time of the stranger following their path
|
2:02-2:08
|
LS
|
Stranger jumping over wall, slow-mo, with
some sections sped up to normal speed. Documents his action of jumping over.
|
2:08-2:12
|
MLS
|
Band members getting up from behind wall,
relieved, singing to the camera
|
2:12-2:16
|
MS
|
In bedroom. One band member catching bra
thrown at him, both of them still singing into camera.
|
2:16-2:18
|
MLS, POV
|
Band from behind, on some kind of
pathway.
|
2:18-2:19
|
MS, Eye-level
|
Band members now facing camera, one
playing with football, other holding trumpet in his hand.
|
2:19-2:21
|
MS, Eye-level
|
Same mise-en-scène as previous shot, but
from slightly different angle.
|
2:21-2:23
|
MLS
|
Back to behind the wall, one of them
singing into the camera, the other one inspecting the trumpet and playing it.
|
2:23-2:25
|
MS
|
Back into bedroom, first person mode of
address, both singing into camera.
|
2:25-2:27
|
MLS
|
At the path again, FPMOA.
|
2:27-2:29
|
MS
|
FPMOA, singing into camera, still at
path, from different angle
|
2:29-2:31
|
MLS
|
Same shot as 2:25-2:27
|
2:31-2:33
|
MLS
|
Steps, same shot as 2:21-2:23.
|
2:33-2:36
|
MS, Crabbing around them
|
Sitting down next to path.
|
2:36-2:42
|
MS
|
In a field, lens flare over their heads,
FPMOA from one band member whilst other is still inspecting and playing
trumpet. He falls backwards.
|
2:42-2:44
|
MS
|
Playing trumpet, looking /feeling
confused/dizzy
|
2:44-2:46
|
MLS, Fisheye lens, Tracking shot.
|
Band member falling towards camera using
FPMOA.
|
2:46-2:47
|
MLS, Fisheye lens, tracking shot.
|
Completion of previous action, in a
different location, he pushes back up from ground and stands up again. Very
effective.
|
2:47-2:56
|
MCU, Tracking shot, Montage
|
Continuous sequence of the same shot,
band member falls against wall holding trumpet and appears in different
location in same posture, happens multiple times in different locations. Very
effective.
|
2:56-3:00
|
MLS
|
Band members dancing at path again,
FPMOA.
|
Very good James, what did you learn from doing this? (new post, tech analysis review)
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